Penggodokan materi, di album ini ja

Penggodokan materi, di album ini jauh lebih siap dibandingkan dengan album pertama. Mereka membuat “bahan kasar” sebanyak sekitar 20 lagu, lalu akhirnya memilih 10 lagu yang paling mereka sukai untuk diambil menjadi set list album. Metode penggarapan materi masih sederhana yang bertumpu pada sesi jamming antar personil terutama antara songwriter (gitaris) dan drummer, sebagai kerangka utama lagu. Mereka menyatakan teknologi DAW (digital audio workstation) cukup membantu dalam pengerjaan materi, terutama sebagai guide agar ide ide kasar bisa dirangkum dan direview.

Proses pengerjaan album ini total terhitung sejak 2013 s/d 2015. “Tahun pertama dihabiskan untuk penulisan lagu, setahun berikutnya dihabiskan untuk perekaman dan packaging CD. Proses penulisan lagu yang sedemikian lama dikarenakan kesibukan personil dan keseriusan untuk mendapatkan momen terbaik dalam materi lagu. begitu juga dengan proses lain lain seperti mix-mast, artwork, packaging, memang memakan waktu lama karena kami mencoba untuk seteliti mungkin”. Ujar mereka.

Dari segi metode perekaman, mereka mengaku tidak ada yang terlalu istimewa, memaksimalkan sumber daya yang mereka punya di sekelililing mereka. Dan mereka mulai agak muak dengan trend ‘mengaku Analog’ pada dunia rekaman dalam beberapa waktu terakhir, dengan bangga mereka mengklaim mereka menggunakan metode digital, karena jelas proses final tetap ada di DAW (digital audio workstation), walaupun input sound tetap berasal dari drum akustik, amplifier gitar yang ditodong, suara vokal yang berasal kerongkongan vokalis, dan lainnya. Mereka juga tidak terlalu tertarik dengan gimmick gimmick “menjadi analog” dan kadang melupakan esensi estetika musikalitas, yang menjamur belakangan ini.

Menurut mereka album ini banyak di pengaruhi dari musik Destruction, Megadeth, Warbringer, Evile, Testament, Death Angel, Kreator, In Flames, Toto, Iron Maiden, Skeletonwitch, The Exploited, dan masih banyak lagi.

Album ini dirilis dengan metode “self-release”, berpartner dengan 3 distribusi utama, playloud records, hitam kelam, dan alpha omega merchandise. Mereka masih merasa metode “self release” ini paling cocok karena selain hitungan bisnis nya lebih masuk akal. Juga karena mereka merasa bebas sebebas bebasnya dalam me-manage urusan mereka. Pun begitu mereka tidak pernah menutup kemungkinan untuk bekerja sama dengan label suatu saat nanti.

結果 (英語) 1:

Penggodokan material, the album is much better prepared compared to the first album. They make a "coarse materials" as much as about 20 songs, and then finally select 10 songs that they most liked to be taken into the set list. Implementation of the method is still a simple matter resting on intercultural jamming session personnel especially between songwriter (guitar) and a drummer, as the main framework for the song. They claim the technology of DAW (digital audio workstation) is quite helpful in material workmanship, especially as a guide so that ideas can be summarized and reviewed rough.Machining process of the album total unaccounted since 2013 until 2015. "The first year was spent writing songs for the next year was spent recording and packaging for the CD. The process of writing songs in such a long time because of the flurry of personnel and seriousness to get the best moments in the song. as with other processes such as mix-mast, artwork, packaging, it does take a long time because we try to seteliti may be ". They said.In terms of methods of recording, admitting nothing too exceptional, maximizing the resources they have in their sekelililing. And they are getting a little fed up with the trend of the ' Analog ' in the world claims to be recording in quite some time, they proudly claimed they used digital methods, because obviously the final process persists in the DAW (digital audio workstation), although the input sound still comes from acoustic drums, guitar amplifiers, the ditodong vowel sound which comes the esophagus vocals, and more. They are also not too interested with the gimmick gimmick "being analog" and sometimes forget the aesthetic essence of musicality, which is mushrooming lately.According to them this album much in the influence of musical Destruction, Megadeth, Warbringer, Evile, Testament, Death Angel, Kreator, In Flames, Iron Maiden, Toto, Skeletonwitch, The Exploited, and many more.The album was released with the method of "self-release", partnered with 3 main distribution, playloud records, dark black, and alpha omega merchandise. They still feel "self release" method is most suitable because in addition to the matter of her business makes more sense. Also because they feel free free free in manage their affairs. Else so they never cover the possibility to work with the label one day.

結果 (英語) 2:

The formulation of the material, in this album is much better prepared than the first album. They make "rough material" as much as about 20 songs, and then finally select the 10 songs that they like to be taken into an album set list. The cultivation method is simple material that rests on the jamming sessions between personnel especially between the songwriter (guitarist) and drummer, as the main framework of the song. They state technology DAW (digital audio workstation) is quite helpful in processing the material, especially as a rough guide so that ideas can be summarized and reviewed. The execution of this album total as from 2013 s / d in 2015. "The first year is spent on songwriting, next year spent on recording and CD packaging. The process of writing songs for so long due to busy personnel and seriousness to get the best moments of the song material. as well as other processes such as mix-mast, artwork, packaging, it takes a long time because we are trying to expeditiously as possible ". They said. In terms of recording method, they claim nothing too special, to maximize the resources they have at their sekelililing. And they are getting a bit fed up with the trend of 'confessed Analog' in the recording industry in recent times, with pride they claim they are using digital methods, because obviously the final process remains in the DAW (digital audio workstation), although the input sound still comes from acoustic drums , guitar amplifiers were mugged, vowel sounds emanating esophagus vocalist, and others. They also are not too interested in the gimmick gimmick "to analogue" and sometimes forget the essence of the aesthetic of musicality, which mushroomed in recent years. According to them this album much influenced from the musical Destruction, Megadeth, Warbringer, Evile, Testament, Death Angel, Kreator, In Flames Toto, Iron Maiden, Skeletonwitch, The Exploited, and much more. The album was released by the method of "self-release", in partnership with the 3 main distribution, playloud records, pitch black, and alpha omega merchandise. They still feel the method of "self release" is most suitable because in addition to its more a matter of business sense. Also because they feel free as free as independent in managing their affairs. Even so they do not ever rule out the possibility of cooperating with the label someday.

結果 (英語) 3:

penggodokan材料，二专辑ini jauh比该dibandingkan，专辑第一。他们用kasar巴“兵从20拉古，拉鲁个人选择10拉古杨木栅，生命从他们sukai为集列表专辑。penggarapan metode了杨bertumpu材料简单在SESI干扰安塔尔comquter安塔拉作曲家（gitaris）要丹的鼓手，为kerangka公司拉古。他们告诉工艺DAW（数字音频工作站）新例，pengerjaan材料了，要为引导IDE IDE kasar比萨dirangkum琼脂丹direview。

散文pengerjaan专辑总terhitung ini从2013 S / D 2015。“第一年dihabiskan，penulisan拉古，一dihabiskan，下一perekaman丹包装CD。散文penulisan拉古杨sedemikian喇嘛dikarenakan kesibukan comquter丹keseriusan，mendapatkan女人在拉古王材料。begitu躺躺，散文，如混合肥大，艺术品，包装，你们吃，因为神mencoba喇嘛，seteliti可能”。ujar他们。

达日SEGI metode perekaman，他们不太istimewa mengaku艾达杨，memaksimalkan该大亚湾杨他们了他们二sekelililing。但他们开始agak muak，趋势的mengaku模拟”在世界rekaman，在几terakhir，他们使用他们，班戈mengklaim metode数字，因为jelas散文最终就艾达di DAW（数字音频工作站），虽然输入的声音就出于鼓声学，